All Articles

Reading Sgt Fury (1963) #1 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 May 1963 as part of Sgt. Fury, with Nick Fury providing the clearest point of entry. Its premise connects Howling Commandos with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Sgt Fury (1963) #1 builds tension by making each

What first stands out about The Amazing Spider Man (1963) #1 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 March 1963 as part of The Amazing Spider Man, with Amazing Spider Man providing the clearest point of entry. Its premise connects Amazing Fantasy with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Th

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Patsy and Hedy Annual (1963) #1 understands that principle. The issue was published on 1 January 1963 as part of Patsy and Hedy Annual, with Patsy and Hedy providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather

Incredible Hulk (1962) #1 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 May 1962 as part of Incredible Hulk, with Jack Kirby providing the clearest point of entry. Its premise connects the supporting cast with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page w

Strange Tales Annual (1962) #1 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 January 1962 as part of Strange Tales Annual, with Strange Tales providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Fantastic Four (1961) #1 understands that principle. The issue was published on 1 November 1961 as part of Fantastic Four, with Jack Kirby providing the clearest point of entry. Its premise connects the supporting cast with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Fantastic Four (19

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Amazing Adventures (1961) #1 understands that principle. The issue was published on 1 June 1961 as part of Amazing Adventures, with Earth providing the clearest point of entry. Its premise connects the supporting cast with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Amazing Adventures (1961) #1 treats

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Tales to Astonish (1959) #1 understands that principle. The issue was published on 1 January 1959 as part of Tales to Astonish, with Captain Kane providing the clearest point of entry. Its premise connects Professor Briggs with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in T

There is something inviting about the way Tales of Suspense (1959) #1 | Published 1 January 1959 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 January 1959 as part of Tales of Suspense, with Earth providing the clearest point of entry. Its premise connects the supporting cast with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure

Strange Worlds (1958) #1 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 10 December 1958 as part of Strange Worlds, with Strange Worlds providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story mom

Reading Yellow Claw (1956) #1 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 October 1956 as part of Yellow Claw, with Yellow Claw providing the clearest point of entry. Its premise connects San Francisco with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ At narrative level, Yellow Cla

There is something inviting about the way Lorna the Jungle Queen (1953) #1 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 July 1953 as part of Lorna the Jungle Queen, with Jungle Queen providing the clearest point of entry. Its premise connects African with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strong