All Articles

Tomb of Dracula (1972) #22 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 July 1974 as part of Tomb of Dracula, with Living Lightning providing the clearest point of entry. Its premise connects GORNA with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Tomb of Dracula (1972) #22 treats the

Reading Marvel Team Up (1972) #22 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 June 1974 as part of Marvel Team Up, with Spider Man providing the clearest point of entry. Its premise connects the supporting cast with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Marvel Team

Adventure Into Fear (1970) #22 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 June 1974 as part of Adventure Into Fear, with King Gerark providing the clearest point of entry. Its premise connects Morbius with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Adventure Into Fear (1970) #2

What first stands out about Astonishing Tales (1970) #22 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 February 1974 as part of Astonishing Tales, with Kraven the Hunter providing the clearest point of entry. Its premise connects Zabu with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Astonishing Tales

What first stands out about Amazing Adventures (1970) #22 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 January 1974 as part of Amazing Adventures, with Washington providing the clearest point of entry. Its premise connects DC with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Amazing

Conan the Barbarian (1970) #22 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 January 1973 as part of Conan the Barbarian, with Conan the Barbarian providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure.

Captain Marvel (1968) #22 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 September 1972 as part of Captain Marvel, with IS BACK providing the clearest point of entry. Its premise connects Megaton with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Captain Marvel (1968) #22 treats th

There is something inviting about the way Sub Mariner (1968) #22 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 February 1970 as part of Sub Mariner, with Undying Ones providing the clearest point of entry. Its premise connects Doctor Strange with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Sub Mariner (1968) #2

Iron Man (1968) #22 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 February 1970 as part of Iron Man, with Iron Man providing the clearest point of entry. Its premise connects Crimson Dynamo with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Iron Man

Marvel Super Heroes (1967) #22 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 10 September 1969 as part of Marvel Super Heroes, with Marvel Super Heroes providing the clearest point of entry. Its premise connects the supporting cast with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠

What first stands out about Daredevil (1964) #22 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 November 1966 as part of Daredevil, with Introducing the Tri providing the clearest point of entry. Its premise connects Masked Marauder with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Daredevil (1964) #22 tr

Uncanny X Men (1981) #22 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 July 1966 as part of Uncanny X Men, with X Men providing the clearest point of entry. Its premise connects Count Nefaria with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Uncanny X