All Articles

Amazing Adventures (1970) #3 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 November 1970 as part of Amazing Adventures, with Royal House providing the clearest point of entry. Its premise connects Agon with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is stronges

Tower of Shadows (1969) #3 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 10 January 1970 as part of Tower of Shadows, with Tower of Shadows providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The sto

Avengers Annual (1967) #3 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 10 September 1969 as part of Avengers Annual, with Avengers providing the clearest point of entry. Its premise connects the supporting cast with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding ev

Reading Silver Surfer (1968) #3 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 December 1968 as part of Silver Surfer, with Silver Surfer providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The most persuasi

Nick Fury, Agent of SHIELD (1968) #3 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 August 1968 as part of Nick Fury, Agent of S.H.I.E.L.D., with Nick Fury providing the clearest point of entry. Its premise connects War II with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Nick Fury, Agent of SHIELD (1

Sub Mariner (1968) #3 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 July 1968 as part of Sub Mariner, with Plant Man providing the clearest point of entry. Its premise connects Leviathan with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Sub Mariner (1968) #3 al

Iron Man (1968) #3 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 July 1968 as part of Iron Man, with Tony Stark providing the clearest point of entry. Its premise connects Demolisher with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Iron Man (1968) #3 allo

There is something inviting about the way Captain Marvel (1968) #3 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 July 1968 as part of Captain Marvel, with FROM THE ASHES providing the clearest point of entry. Its premise connects OF DEFEAT with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Captain Marve

Not Brand Echh (1967) #3 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 October 1967 as part of Not Brand Echh, with Doctor Darn Bloke providing the clearest point of entry. Its premise connects Mighty Sore with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Not Brand

Sgt Fury and His Howling Commandos Annual (1965) #3 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 10 August 1967 as part of Sgt. Fury and His Howling Commandos Annual, with Sgt. Fury and His Howling Commandos providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose

Amazing Spider Man Annual (1964) #3 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 November 1966 as part of Amazing Spider Man Annual, with Amazing Spider Man providing the clearest point of entry. Its premise connects NOTE with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Amazing Sp

Fantastic Four Annual (1963) #3 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 October 1965 as part of Fantastic Four Annual, with Fantastic Four providing the clearest point of entry. Its premise connects Sue with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum i