All Articles

There is something inviting about the way Rawhide Kid (1955) #35 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 August 1963 as part of Rawhide Kid, with Rawhide Kid providing the clearest point of entry. Its premise connects Raven with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rawhide Kid (1955) #35 treats the centra

Reading Tales of Suspense (1959) #35 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 10 November 1962 as part of Tales of Suspense, with Earth providing the clearest point of entry. Its premise connects the supporting cast with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Tales of Suspense

There is something inviting about the way Tales to Astonish (1959) #35 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 September 1962 as part of Tales to Astonish, with Ant Man providing the clearest point of entry. Its premise connects Pym Particles with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ At narrative level, Tales to Ast

Two Gun Kid (1948) #35 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 10 February 1957 as part of Two Gun Kid, with Two Gun Kid providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Two Gun Kid (1948) #35 treats the c

There is something inviting about the way Journey Into Mystery (1952) #35 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 June 1956 as part of Journey Into Mystery, with Journey Into Mystery providing the clearest point of entry. Its premise connects the supporting cast with questions of truth and suspicion. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story mom

Strange Tales (1951) #35 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 April 1955 as part of Strange Tales, with Code Authority providing the clearest point of entry. Its premise connects First Comics with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The most persuasive passages in Strange

Astonishing (1951) #35 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 10 October 1954 as part of Astonishing, with Astonishing providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Ast

There is something inviting about the way Sub Mariner Comics (1941) #35 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 August 1954 as part of Sub Mariner Comics, with Sub Mariner providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is

Human Torch Comics (1940) #35 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 10 March 1949 as part of Human Torch Comics, with Human Torch providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The most

Captain America Comics (1941) #35 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 10 February 1944 as part of Captain America Comics, with Captain America providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventu

Reading Marvel Mystery Comics (1939) #35 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 September 1942 as part of Marvel Mystery Comics, with Marvel Mystery providing the clearest point of entry. Its premise connects the supporting cast with questions of truth and suspicion. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The mo