Mummies

Mummies approaches its animated material with more interest in character than a quick synopsis might suggest. Directed by Juan Jesús García Galocha, it leans on Óscar Barberán and Ana Esther Alborg to give the material a human centre. The spoiler light setup draws London, Royal Family and Lord Carnaby into the same story, creating a specific hook without requiring a long recap. The film's first job is to make that setup feel worth following, and it establishes the necessary stakes efficiently.

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The film understands that animated spectacle works best when it remains readable. Its lively design supports the jokes and emotional beats, and the performers behind the voices bring enough texture to make the characters feel distinct. The ingredients are appealing, but the balance is inconsistent. Energy and character come through in bursts, followed by stretches that feel overextended or underdeveloped. It is engaging enough in the moment, though less persuasive when considered as a complete piece.

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Óscar Barberán and Ana Esther Alborg carry much of the emotional responsibility, and their different approaches keep the central relationship from becoming one note. Luis Reina makes a strong impression without pulling focus from the main line. Juan Jesús García Galocha's direction gives reactions time to register, which is important in a film where a look or hesitation can communicate more efficiently than another explanatory exchange.

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Thematically, Mummies is interested in identity, belonging and the difficult step of deciding who you are when other people have already supplied an answer. The visual freedom makes those ideas accessible, but the emotional value comes from recognisable uncertainty beneath the colour and movement. The film is most persuasive when these ideas emerge from behaviour rather than speeches. That additional layer gives the story more purpose than a sequence of familiar genre beats, even if every implication is not explored with equal depth.

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Craft is a major part of the appeal. Production design establishes the world quickly, cinematography gives it shape, and the edit keeps visual information from becoming clutter. Even when the film reaches for scale, sound and image remain connected to the characters' immediate experience, which prevents spectacle from feeling completely detached from consequence.

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Its unevenness becomes difficult to ignore. The film can be lively and specific in one scene, then oddly generic in the next. That inconsistency weakens the emotional build and makes the final stretch work harder than it should.

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Overall, Mummies is a mixed experience: engaging in places, undercooked in others. It is best approached by animation fans looking for visual personality as well as an accessible story who can forgive inconsistency for a promising idea.