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There is a useful directness to Eat This New York, a documentary shaped by Kate Novack with a firm understanding of its audience. In Eat This New York, Daniel Boulud provides the anchor while Rocco DiSpirito introduces a contrasting energy. Without revealing later complications, Eat This New York opens from this situation: Two best friends from Minneapolis struggle to open a restaurant in the food capital of the world, as the city's legendary chefs and restaurateurs reflect o

There is a useful directness to Trilogia: To livadi pou dakryzei, a romance shaped by Theodoros Angelopoulos with a firm understanding of its audience. In Trilogia: To livadi pou dakryzei, Alexandra Aidini provides the anchor while Nikos Poursanidis introduces a contrasting energy. Without revealing later complications, Trilogia: To livadi pou dakryzei opens from this situation: The story starts in 1919 with some Greek refugees from Odessa arriving somewhere near Thessaloniki

There is a useful directness to Brodeuses, a romance shaped by Éléonore Faucher with a firm understanding of its audience. In Brodeuses, Ariane Ascaride provides the anchor while Lola Naymark introduces a contrasting energy. Without revealing later complications, Brodeuses opens from this situation: Claire (Nymark), an unmarried pregnant teenager, finds an odd relation in Madame Mélikian (Ascaride), an older woman grieving over the death of her son. The resulting its 1h 29m r

There is a useful directness to Machuca, a biographical drama shaped by Andrés Wood with a firm understanding of its audience. In Machuca, Matías Quer provides the anchor while Ariel Mateluna introduces a contrasting energy. Without revealing later complications, Machuca opens from this situation: Two 12 year old Chilean children from different social classes become friends in 1973. The resulting its 2h 1m running time feels most convincing whenever Machuca trusts behaviour m

There is a useful directness to Cape of Good Hope, a comedy shaped by Mark Bamford with a firm understanding of its audience. In Cape of Good Hope, Debbie Brown provides the anchor while Farouk Valley Omar introduces a contrasting energy. Without revealing later complications, Cape of Good Hope opens from this situation: A Drama revolving around 3 women's lives and how they are intertwined. The resulting its 1h 47m running time feels most convincing whenever Cape of Good Hope

There is a useful directness to Leaving Home, Coming Home: A Portrait of Robert Frank, a documentary shaped by Gerald Fox with a firm understanding of its audience. In Leaving Home, Coming Home: A Portrait of Robert Frank, Robert Frank provides the anchor while June Leaf introduces a contrasting energy. Without revealing later complications, Leaving Home, Coming Home: A Portrait of Robert Frank opens from this situation: A documentary on the photographer Robert Frank. The res

There is a useful directness to Superstar in a Housedress, a documentary shaped by Craig Highberger with a firm understanding of its audience. In Superstar in a Housedress, Peter Allen provides the anchor while Paul Ambrose introduces a contrasting energy. Without revealing later complications, Superstar in a Housedress opens from this situation: "Jackie Curtis is not a drag queen. The resulting its 1h 35m running time feels most convincing whenever Superstar in a Housedress

There is a useful directness to Eternal, a horror film shaped by Wilhelm Liebenberg with a firm understanding of its audience. In Eternal, Caroline Néron provides the anchor while Sarah Manninen introduces a contrasting energy. Without revealing later complications, Eternal opens from this situation: Detective Raymond Pope is a detective of questionable morals, searching for his missing wife. The resulting its 1h 47m running time feels most convincing whenever Eternal trusts

There is a useful directness to Guys and Balls, a comedy shaped by Sherry Hormann with a firm understanding of its audience. In Guys and Balls, Maximilian Brückner provides the anchor while Lisa Maria Potthoff introduces a contrasting energy. Without revealing later complications, Guys and Balls opens from this situation: After their most recent loss, a soccer team discovers its goalie is gay and casts him out. The resulting its 1h 46m running time feels most convincing whene

There is a useful directness to The Heart Is Deceitful Above All Things, a drama shaped by Asia Argento with a firm understanding of its audience. In The Heart Is Deceitful Above All Things, Asia Argento provides the anchor while Dylan Sprouse introduces a contrasting energy. Without revealing later complications, The Heart Is Deceitful Above All Things opens from this situation: Seven year old Jeremiah is pulled from his foster home and thrown into a troubled life on the roa

There is a useful directness to The PianoTuner of EarthQuakes, an animated adventure shaped by Stephen Quay with a firm understanding of its audience. In The PianoTuner of EarthQuakes, Amira Casar provides the anchor while Gottfried John introduces a contrasting energy. Without revealing later complications, The PianoTuner of EarthQuakes opens from this situation: Dark fairy tale about a demonic doctor who abducts a beautiful opera singer with designs on transforming her into

There is a useful directness to Or (My Treasure), a romance shaped by Keren Yedaya with a firm understanding of its audience. In Or (My Treasure), Dana Ivgy provides the anchor while Ronit Elkabetz introduces a contrasting energy. Without revealing later complications, Or (My Treasure) opens from this situation: Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning