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There is a useful directness to Black Friday, an action film shaped by Anurag Kashyap with a firm understanding of its audience. In Black Friday, Kay Kay Menon provides the anchor while Pawan Malhotra introduces a contrasting energy. Without revealing later complications, Black Friday opens from this situation: A film about the investigations following the 1993 serial Bombay bomb blasts, told through the different stories of the people involved police, conspirators, victims,

There is a useful directness to The Year of the Yao, a documentary shaped by Adam Del Deo with a firm understanding of its audience. In The Year of the Yao, Yao Ming provides the anchor while Colin Pine introduces a contrasting energy. Without revealing later complications, The Year of the Yao opens from this situation: This documentary captures not only the Chinese hero who arrived in America with no command on English, but also the simple guy who lives with his mother and l

There is a useful directness to Jiminy Glick in Lalawood, a comedy shaped by Vadim Jean with a firm understanding of its audience. In Jiminy Glick in Lalawood, Martin Short provides the anchor while Jan Hooks introduces a contrasting energy. Without revealing later complications, Jiminy Glick in Lalawood opens from this situation: Culture critic Jiminy Glick gets tied up in a murder case at the Toronto Film Festival. The resulting its 1h 30m running time feels most convincing

There is a useful directness to Mind Game, an animated adventure shaped by Masaaki Yuasa with a firm understanding of its audience. In Mind Game, Kôji Imada provides the anchor while Sayaka Maeda introduces a contrasting energy. Without revealing later complications, Mind Game opens from this situation: After a deadly encounter with two yakuza, a loser with a crush on his childhood girlfriend goes to heaven and back, embarking on a psychedelic self discovery experience with h

There is a useful directness to Incident at Loch Ness, a horror film shaped by Zak Penn with a firm understanding of its audience. In Incident at Loch Ness, Werner Herzog provides the anchor while Kitana Baker introduces a contrasting energy. Without revealing later complications, Incident at Loch Ness opens from this situation: A documentary exploring the myth of the Loch Ness monster. The resulting its 1h 34m running time feels most convincing whenever Incident at Loch Ness

There is a useful directness to The Hidden Blade, a romance shaped by Yôji Yamada with a firm understanding of its audience. In The Hidden Blade, Masatoshi Nagase provides the anchor while Takako Matsu introduces a contrasting energy. Without revealing later complications, The Hidden Blade opens from this situation: A 19th Century samurai, held in low esteem due to an action by his late father, must resolve his history with a maid and with his close friend. The resulting its

There is a useful directness to Tell Them Who You Are, a documentary shaped by Mark Wexler with a firm understanding of its audience. In Tell Them Who You Are, Haskell Wexler provides the anchor while Mark Wexler introduces a contrasting energy. Without revealing later complications, Tell Them Who You Are opens from this situation: The son of acclaimed cinematographer Haskell Wexler confronts his complex father by turning the camera on him. The resulting its 1h 35m running ti

There is a useful directness to Justice, a drama shaped by Jeanne Marie Almonor with a firm understanding of its audience. In Justice, Roger Guenveur Smith provides the anchor while Monica Calhoun introduces a contrasting energy. Without revealing later complications, Justice opens from this situation: Carter is a fed up public defender who decides to take on the corrupt system. The resulting its 1h 44m running time feels most convincing whenever Justice trusts behaviour more

There is a useful directness to Tying the Knot, a documentary shaped by Jim de Sève with a firm understanding of its audience. In Tying the Knot, Bob Barr provides the anchor while Mary Bonauto introduces a contrasting energy. Without revealing later complications, Tying the Knot opens from this situation: A look at the debate over same sex marriage in the USA. The resulting its 1h 21m running time feels most convincing whenever Tying the Knot trusts behaviour more than expla

There is a useful directness to The Intruder, a drama shaped by Claire Denis with a firm understanding of its audience. In The Intruder, Michel Subor provides the anchor while Grégoire Colin introduces a contrasting energy. Without revealing later complications, The Intruder opens from this situation: An emotionally cold man leaves the safety of his Alpine home to seek a heart transplant and an estranged son. The resulting its 2h 10m running time feels most convincing wheneve

There is a useful directness to A State of Mind, a documentary shaped by Daniel Gordon with a firm understanding of its audience. In A State of Mind, Daniel Gordon provides the anchor while Hyon Sun Pak introduces a contrasting energy. Without revealing later complications, A State of Mind opens from this situation: A British documentary that follows two young North Korean girls as they prepare for the Mass Games, the world's largest choreographed gymnastics performance. The

There is a useful directness to Straight Jacket, a comedy shaped by Richard Day with a firm understanding of its audience. In Straight Jacket, Matt Letscher provides the anchor while Carrie Preston introduces a contrasting energy. Without revealing later complications, Straight Jacket opens from this situation: In 1950's Hollywood, movie star Guy Stone must marry a studio secretary in order to conceal his homosexuality. The resulting its 1h 36m running time feels most convinc