All Articles

What stands out first about Paper Clips is the confidence with which Elliot Berlin establishes its documentary identity. Rather than relying on premise alone, Paper Clips asks Sandra Roberts and Dagmar Schroeder Hildebrand to supply personality from the opening stretch. The premise of Paper Clips is established with useful clarity: As a part of their study of the Holocaust, the children of the Whitwell, TN Middle School try to collect 6 million paper clips representing the 6

What stands out first about Les aimants is the confidence with which Yves Pelletier establishes its comedy identity. Rather than relying on premise alone, Les aimants asks Emmanuel Bilodeau and Isabelle Blais to supply personality from the opening stretch. The premise of Les aimants is established with useful clarity: Back in town after years abroad, an idealistic woman takes upon herself to spruce up her blasé sister's sentimental life by fooling around with the messages she

What stands out first about The Best Two Years is the confidence with which Scott S. Anderson establishes its comedy identity. Rather than relying on premise alone, The Best Two Years asks K.C. Clyde and Kirby Heyborne to supply personality from the opening stretch. The premise of The Best Two Years is established with useful clarity: Two pairs of Mormon missionaries from America live in a beaten up apartment in the Dutch city of Haarlem. That direct approach lets The Best Tw

What stands out first about Saving Face is the confidence with which Alice Wu establishes its comedy identity. Rather than relying on premise alone, Saving Face asks Joan Chen and Michelle Krusiec to supply personality from the opening stretch. The premise of Saving Face is established with useful clarity: A gay Chinese American and her traditionalist mother are reluctant to go public with secret loves that clash against cultural expectations. That direct approach lets Saving

What stands out first about District B13 is the confidence with which Pierre Morel establishes its action film identity. Rather than relying on premise alone, District B13 asks Cyril Raffaelli and David Belle to supply personality from the opening stretch. The premise of District B13 is established with useful clarity: Captain Damien must team up with Leito, a local insurgent from District 13, to defuse a neutron bomb that has fallen into the hands of a local drug lord, Taha,

What stands out first about Metallica: Some Kind of Monster is the confidence with which Joe Berlinger establishes its documentary identity. Rather than relying on premise alone, Metallica: Some Kind of Monster asks James Hetfield and Kirk Hammett to supply personality from the opening stretch. The premise of Metallica: Some Kind of Monster is established with useful clarity: The iconic metal band struggles for two years to create their album St. Anger, dealing with alcoholis

What stands out first about Swades is the confidence with which Ashutosh Gowariker establishes its music drama identity. Rather than relying on premise alone, Swades asks Shah Rukh Khan and Gayatri Joshi to supply personality from the opening stretch. The premise of Swades is established with useful clarity: A successful Indian scientist returns to an Indian village to take his nanny to America with him and in the process rediscovers his roots. That direct approach lets Swade

What stands out first about Going the Distance is the confidence with which Mark Griffiths establishes its comedy identity. Rather than relying on premise alone, Going the Distance asks Christopher Jacot and Joanne Kelly to supply personality from the opening stretch. The premise of Going the Distance is established with useful clarity: In order to prevent a recent high school graduate from getting engaged, two friends intervene by taking him on a cross country road trip. Tha

What stands out first about Ghost in the Shell 2: Innocence is the confidence with which Mamoru Oshii establishes its animated adventure identity. Rather than relying on premise alone, Ghost in the Shell 2: Innocence asks Akio Ôtsuka and Atsuko Tanaka to supply personality from the opening stretch. The premise of Ghost in the Shell 2: Innocence is established with useful clarity: In the year 2032, Batô, a cyborg detective for the anti terrorist unit Public Security Section 9,

What stands out first about A Dirty Shame is the confidence with which John Waters establishes its comedy identity. Rather than relying on premise alone, A Dirty Shame asks Tracey Ullman and Chris Isaak to supply personality from the opening stretch. The premise of A Dirty Shame is established with useful clarity: An uptight, middle aged, repressed woman turns into a sex addict after getting hit on the head, and she then falls into an underground subculture of sex addicts in

What stands out first about Le dernier tunnel is the confidence with which Erik Canuel establishes its crime drama identity. Rather than relying on premise alone, Le dernier tunnel asks Michel Côté and Jean Lapointe to supply personality from the opening stretch. The premise of Le dernier tunnel is established with useful clarity: Based on a true story: a recently released convict dreams of one last heist with his old gang before retiring. That direct approach lets Le dernier

What stands out first about Ushpizin is the confidence with which Gidi Dar establishes its drama identity. Rather than relying on premise alone, Ushpizin asks Shuli Rand and Michal Bat Sheva Rand to supply personality from the opening stretch. The premise of Ushpizin is established with useful clarity: An Orthodox Jewish couple's faith is tested after praying to the Lord for a child on the Succoth holiday. That direct approach lets Ushpizin use its 1h 30m running time for cha