All Articles

What stands out first about Intimate Strangers is the confidence with which Patrice Leconte establishes its thriller identity. Rather than relying on premise alone, Intimate Strangers asks Sandrine Bonnaire and Fabrice Luchini to supply personality from the opening stretch. The premise of Intimate Strangers is established with useful clarity: A Frenchwoman tells her marital troubles to a man she mistakes for a psychiatrist, and soon they form an unusual relationship. That dir

What stands out first about Dans une galaxie près de chez vous Le film is the confidence with which Claude Desrosiers establishes its comedy identity. Rather than relying on premise alone, Dans une galaxie près de chez vous Le film asks Guy Jodoin and Stéphane Crête to supply personality from the opening stretch. The premise of Dans une galaxie près de chez vous Le film is established with useful clarity: In 2039, the Romano Fafard spaceship crew, led by Captain Patenaude, ar

What stands out first about Riding Giants is the confidence with which Stacy Peralta establishes its documentary identity. Rather than relying on premise alone, Riding Giants asks Laird Hamilton and Darrick Doerner to supply personality from the opening stretch. The premise of Riding Giants is established with useful clarity: Documentary detailing the origins and history of surf culture. That direct approach lets Riding Giants use its 1h 45m running time for character, atmosp

What stands out first about Layer Cake is the confidence with which Matthew Vaughn establishes its thriller identity. Rather than relying on premise alone, Layer Cake asks Daniel Craig and Sienna Miller to supply personality from the opening stretch. The premise of Layer Cake is established with useful clarity: A successful cocaine dealer gets two tough assignments from his boss on the eve of his planned early retirement. That direct approach lets Layer Cake use its 1h 45m ru

What stands out first about Control Room is the confidence with which Jehane Noujaim establishes its documentary identity. Rather than relying on premise alone, Control Room asks Samir Khader and Josh Rushing to supply personality from the opening stretch. The premise of Control Room is established with useful clarity: A documentary on perception of the United States's war with Iraq, with an emphasis on Al Jazeera's coverage. That direct approach lets Control Room use its 1h

What stands out first about Thérèse: The Story of Saint Thérèse of Lisieux is the confidence with which Leonardo Defilippis establishes its biographical drama identity. Rather than relying on premise alone, Thérèse: The Story of Saint Thérèse of Lisieux asks Lindsay Younce and Leonardo Defilippis to supply personality from the opening stretch. The premise of Thérèse: The Story of Saint Thérèse of Lisieux is established with useful clarity: The mesmerizing story of a young gir

What stands out first about Bobby Jones: Stroke of Genius is the confidence with which Rowdy Herrington establishes its romance identity. Rather than relying on premise alone, Bobby Jones: Stroke of Genius asks Jim Caviezel and Claire Forlani to supply personality from the opening stretch. The premise of Bobby Jones: Stroke of Genius is established with useful clarity: Jim Caviezel stars as golf legend Bobby Jones, the icon who retired from competition at the tender age of 28

What stands out first about Walk on Water is the confidence with which Eytan Fox establishes its thriller identity. Rather than relying on premise alone, Walk on Water asks Lior Ashkenazi and Knut Berger to supply personality from the opening stretch. The premise of Walk on Water is established with useful clarity: Following the suicide of his wife, an Israeli intelligence agent is assigned to befriend the grandchildren of a Nazi war criminal. That direct approach lets Walk o

What stands out first about Ma vie en cinémascope is the confidence with which Denise Filiatrault establishes its biographical drama identity. Rather than relying on premise alone, Ma vie en cinémascope asks Pascale Bussières and Michel Barrette to supply personality from the opening stretch. The premise of Ma vie en cinémascope is established with useful clarity: 1952, Québec Alys Robi, vocalist at the top of her popularity and recognized worldwide, was interned in spite of

What stands out first about Clifford's Really Big Movie is the confidence with which Robert C. Ramirez establishes its animated adventure identity. Rather than relying on premise alone, Clifford's Really Big Movie asks John Ritter and Cree Summer to supply personality from the opening stretch. The premise of Clifford's Really Big Movie is established with useful clarity: Worried that he costs too much to feed, Clifford runs away to join a carnival act and help win a lifetime

What stands out first about Veer Zaara is the confidence with which Yash Chopra establishes its romance identity. Rather than relying on premise alone, Veer Zaara asks Shah Rukh Khan and Preity G Zinta to supply personality from the opening stretch. The premise of Veer Zaara is established with useful clarity: An Indian Air Force pilot rescues a Pakistani girl stranded in India. That direct approach lets Veer Zaara use its 3h 12m running time for character, atmosphere and con

What stands out first about The Work and the Glory is the confidence with which Russell Holt establishes its romance identity. Rather than relying on premise alone, The Work and the Glory asks Sam Hennings and Eric Johnson to supply personality from the opening stretch. The premise of The Work and the Glory is established with useful clarity: In the 1820s, the Benjamin Steed family moves to Palmyra in upstate New York, and becomes involved with the new Mormon religion and its