All Articles

A spoiler free review of Tetris begins with its confidence as a thriller. Directed by Jon S. Baird, it leans on Taron Egerton and Mara Huf to give the material a human centre. At story level, Video, Henk Rogers and Tetris shape the central setup, but the later turns are best left for the film to reveal. Those ingredients give the film a useful foundation, but the lasting impression depends on how well it balances mood, character and momentum. ⁠ The film is sharpest when it na

Reptile does not need a plot heavy introduction to make its case. This is a thriller shaped by performance, pacing and a strong central hook. Directed by Grant Singer, it leans on Benicio Del Toro and Justin Timberlake to give the material a human centre. The spoiler light setup draws Tom Nichols, New England and hardened into the same story, creating a specific hook without requiring a long recap. From there, execution matters more than novelty. ⁠ Suspense grows from the gap

There is an appealing directness to Knox Goes Away. It knows it is a thriller, understands the expectations attached to that label, and then looks for small ways to give the material its own voice. Directed by Michael Keaton, it leans on Michael Keaton and Ray McKinnon to give the material a human centre. At story level, contract, killer and rapidly shape the central setup, but the later turns are best left for the film to reveal. ⁠ The thriller elements work through controll

Society of the Snow approaches its thriller material with more interest in character than a quick synopsis might suggest. Directed by J.A. Bayona, it leans on Enzo Vogrincic and Agustín Pardella to give the material a human centre. The spoiler light setup draws Andes. The, flight and rugby into the same story, creating a specific hook without requiring a long recap. The film's first job is to make that setup feel worth following, and it establishes the necessary stakes effici

At its best, New Life works as a horror film that puts tone and performance ahead of empty explanation. Directed by John Rosman, it leans on Sonya Walger and Hayley Erin to give the material a human centre. At story level, mysterious, woman and resourceful shape the central setup, but the later turns are best left for the film to reveal. The result has a recognisable personality from the opening stretch. ⁠ Its most effective weapon is anticipation. The film understands that a

The Family Plan is a comedy with a clear idea of the experience it wants to create. Directed by Simon Cellan Jones, it leans on Mark Wahlberg and Michelle Monaghan to give the material a human centre. The spoiler light setup draws former, assassin and incognito into the same story, creating a specific hook without requiring a long recap. That is enough context to enter the film without spoiling the turns that give it shape. ⁠ Comedy lives or dies on rhythm, and the film is at

A spoiler free review of Rebel Moon Part One: A Child of Fire begins with its confidence as an action film. Directed by Zack Snyder, it leans on Sofia Boutella and Djimon Hounsou to give the material a human centre. At story level, peaceful, settlement and distant shape the central setup, but the later turns are best left for the film to reveal. Those ingredients give the film a useful foundation, but the lasting impression depends on how well it balances mood, character and

The Killer does not need a plot heavy introduction to make its case. This is an action film shaped by performance, pacing and a strong central hook. Directed by David Fincher, it leans on Michael Fassbender and Tilda Swinton to give the material a human centre. The spoiler light setup draws Solitary, Yet and methodical into the same story, creating a specific hook without requiring a long recap. From there, execution matters more than novelty. ⁠ Momentum is the film's main ad

There is an appealing directness to Ghosted. It knows it is a comedy, understands the expectations attached to that label, and then looks for small ways to give the material its own voice. Directed by Dexter Fletcher, it leans on Chris Evans and Ana de Armas to give the material a human centre. At story level, Cole, Sadie and Before the shape the central setup, but the later turns are best left for the film to reveal. ⁠ Comedy lives or dies on rhythm, and the film is at its b

Woman of the Hour approaches its crime drama material with more interest in character than a quick synopsis might suggest. Directed by Anna Kendrick, it leans on Anna Kendrick and Daniel Zovatto to give the material a human centre. The spoiler light setup draws Sheryl Bradshaw, TV and Rodney Alcala into the same story, creating a specific hook without requiring a long recap. The film's first job is to make that setup feel worth following, and it establishes the necessary stak

At its best, Hit Man works as a comedy that puts tone and performance ahead of empty explanation. Directed by Richard Linklater, it leans on Glen Powell and Adria Arjona to give the material a human centre. At story level, professor, moonlighting and sorts shape the central setup, but the later turns are best left for the film to reveal. The result has a recognisable personality from the opening stretch. ⁠ The humour lands most consistently through character chemistry. The sc

Culpa Mía is a romance with a clear idea of the experience it wants to create. Directed by Domingo González, it leans on Nicole Wallace and Gabriel Guevara to give the material a human centre. The spoiler light setup draws Noah, There and Nick into the same story, creating a specific hook without requiring a long recap. That is enough context to enter the film without spoiling the turns that give it shape. ⁠ The romance depends on believable chemistry, and the film is at its