All Articles

A spoiler free review of Just the Two of Us begins with its confidence as a thriller. Directed by Valérie Donzelli, it leans on Virginie Efira and Melvil Poupaud to give the material a human centre. At story level, Follows Blanche Renard, Greg Lamoureux and meets shape the central setup, but the later turns are best left for the film to reveal. Those ingredients give the film a useful foundation, but the lasting impression depends on how well it balances mood, character and m

Lord of Misrule does not need a plot heavy introduction to make its case. This is a horror film shaped by performance, pacing and a strong central hook. Directed by William Brent Bell, it leans on Tuppence Middleton and Ralph Ineson to give the material a human centre. The spoiler light setup draws desperate, search and daughter into the same story, creating a specific hook without requiring a long recap. From there, execution matters more than novelty. ⁠ Its most effective w

There is an appealing directness to Eight Deadly Shots. It knows it is a feature film, understands the expectations attached to that label, and then looks for small ways to give the material its own voice. Its clearest asset is a commitment to tone and character rather than empty plot mechanics. The spoiler light setup is easy to grasp, allowing the film to spend its time on character, tone and consequence. ⁠ The film is at its best when it keeps the focus on character and cl

You're All Gonna Die approaches its horror material with more interest in character than a quick synopsis might suggest. Directed by Dominic Ross, it leans on Joe Arvallo and Nelson Deprado to give the material a human centre. The spoiler light setup draws In the, attempt and exonerate into the same story, creating a specific hook without requiring a long recap. The film's first job is to make that setup feel worth following, and it establishes the necessary stakes efficientl

At its best, Last Night of Amore works as a thriller that puts tone and performance ahead of empty explanation. Directed by Andrea Di Stefano, it leans on Pierfrancesco Favino and Linda Caridi to give the material a human centre. At story level, Franco Amore, Dino and police shape the central setup, but the later turns are best left for the film to reveal. The result has a recognisable personality from the opening stretch. ⁠ Suspense grows from the gap between what the charac

You Are Not Me is a horror film with a clear idea of the experience it wants to create. Directed by Marisa Crespo and Moisés Romera, it leans on Pilar Almería and Álvaro Báguena to give the material a human centre. The spoiler light setup draws Aitana, Christmas and She into the same story, creating a specific hook without requiring a long recap. That is enough context to enter the film without spoiling the turns that give it shape. ⁠ The horror works best through atmosphere

A spoiler free review of Life Upside Down begins with its confidence as a comedy. Directed by Cecilia Miniucchi, it leans on Bob Odenkirk and Radha Mitchell to give the material a human centre. At story level, Three, Jonathan and Clarissa shape the central setup, but the later turns are best left for the film to reveal. Those ingredients give the film a useful foundation, but the lasting impression depends on how well it balances mood, character and momentum. ⁠ Its funniest m

The Paragon does not need a plot heavy introduction to make its case. This is a comedy shaped by performance, pacing and a strong central hook. Directed by Michael Duignan, it leans on Benedict Wall and Florence Noble to give the material a human centre. The spoiler light setup draws victim, learns and psychic into the same story, creating a specific hook without requiring a long recap. From there, execution matters more than novelty. ⁠ The humour lands most consistently thro

There is an appealing directness to Deliver Us. It knows it is a horror film, understands the expectations attached to that label, and then looks for small ways to give the material its own voice. Directed by Cru Ennis and Lee Roy Kunz, it leans on Jelena Rajapu and Anil Kapur to give the material a human centre. At story level, Vatican, Messiah and Anti Christ shape the central setup, but the later turns are best left for the film to reveal. ⁠ The horror works best through a

Making Him Famous approaches its family material with more interest in character than a quick synopsis might suggest. Directed by Burgess Jenkins, it leans on Hugo Acevedo and Kathryn Alexander to give the material a human centre. The spoiler light setup draws Who, popular and self help into the same story, creating a specific hook without requiring a long recap. The film's first job is to make that setup feel worth following, and it establishes the necessary stakes efficient

At its best, The Seeding works as a horror film that puts tone and performance ahead of empty explanation. Directed by Barnaby Clay, it leans on Scott Haze and Kate Lyn Sheil to give the material a human centre. At story level, himself, trapped and desert shape the central setup, but the later turns are best left for the film to reveal. The result has a recognisable personality from the opening stretch. ⁠ Its most effective weapon is anticipation. The film understands that a

How I Learned to Fly is a drama with a clear idea of the experience it wants to create. Directed by Simon Steuri, it leans on Marcus Scribner and Lonnie Chavis to give the material a human centre. The spoiler light setup draws After the, Daniel and parents into the same story, creating a specific hook without requiring a long recap. That is enough context to enter the film without spoiling the turns that give it shape. ⁠ The drama is most convincing in its quieter moments, wh